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High ResolutionCAMBODIA TOWN CULTURE FESTIVAL is a lively celebration of Long Beach’s Cambodian community, the largest concentration of Cambodians outside of Southeast Asia, showcasing the community’s cultural heritage and thriving community businesses and non-profit organizations. The annual festival will have interactive demonstrations and performances of a variety of art forms from Cambodia’s rich and ancient culture. Local Cambodian artisans and culture bearers will share their expertise on Cambodian arts and cultural practices, including Cambodian classical dance and costuming, drawing, shadow puppets, music and musical instruments, textiles, dressmaking, weddings, gardening, and cooking. The festival will also have special areas dedicated to activities for children, Cambodian food vendors, and merchandise vendors. Admission to the festival is FREE.
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ASEAN Community
Nat Gadaw, MyanmarNat Gadaw is the “bride of the spirits”, usually a man dressed like an old lady, often a transvestite, sometimes a real old lady in the most traditional festivals. The Nat Gadaw is essential to Pwe festivals, she dances, sings and collects money to make the spirits talk to her, she then tells the people what the spirits say. This can involve hours of dancing and drinking which sometimes ends with a drama and ethylic death for the unfortunate Nat Gadaw.
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ASEAN Community
Ream Eyso & Moni Mekhala, Khmer traditional dance, CambodiaLate upload… but here is the Khmer Arts Academy performing “Reay Eyso & Moni Mekhala” for their 10th year anniversary back in October.
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The Mansoojat Foundation
The Mansoojat Foundation is a UK registered charity founded by a group of Saudi women with a passionate interest in the traditional ethnic textiles and costumes of Arabia.
Where We Go In The Future Is Determined
By Where We Have Been In The Past.The Mansoojat Foundation’s mission is to revive and preserve the traditional ethnic designs and costumes of the various regions of the Kingdom of Saudi Arabia; to promote and conduct academic research important for the understanding of the history and culture of the region, and to raise public awareness for the appreciation of this unique heritage.
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From the River Collective has an awesome new page up with photos of traditional Klamath River fashion and how contemporary Native artists are utilizing and building off it in their own work! If you’re unfamiliar with Northern California aesthetics and materials, this is a really cool resource. Karuk artist and founder of FTRC Nisha Supahan describes the Collective as:
…an online store featuring Northern California Indian artists who make quality art and products that are inspired by our Native background, culture and traditions. We have traditional items as well as contemporary pieces. Many of the artists use old time technics, materials or designs to create contemporary pieces.
I want to be able to sell the work of talented artists that may not have the ability to promote themselves or their amazing work. We are from a rural area where not every household has a computer let alone internet access. I want to show that Native people are still here and I want the outside world to see how the people of the Klamath and Trinity Rivers of Northern California have unique perspectives that are incorporated in to their creations. I have been trusted to be the bridge between the creations and the customer for these very talented Native people. We are working together to make a change for our Tribes, community, and our families.
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“Tchoodi” facial tattoos are a tradition of Fulani women performed throughout Mali and other parts of West Africa, usually for beautification and as a coming-of-age rite for teenage girls.
Watch a three-minute clip of a Tchoodi tattoo application (warning: not for the faint-hearted).
(via africaisdonesuffering)
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Honouring the lovely bones: Family observes ancient ritual of exhuming dead grandfather, tenderly washing his skeleton and then placing him in a skull house
The ancient ritual of the Karo Batak tribe may appear macabre, but the exhuming of the skeletons of family members past is a sacred and centuries-long tradition.
Families of the tribe return to their ancestors’ graves to honour the bones of a beloved relative, buried on the hillsides of North Sumatra, Indonesia.
The Karo Batak tribe clean the skeleton before laying it in a new coffin and placing it in a specially-built skull house, known as a geritan.
Photographer Jefri Tarigan was privileged to capture the rare event as one family dug up the cloth-wrapped body of what was an elderly grandfather.
The relatives extract the skeleton from the cloth and clean the bones free of soil before carefully placing them in a wooden casket in a particular order.
After this, the family apply a special mixture of herbs, lime, coconut water and spices on the bones.
Once the skeleton is arranged in the crate it is then placed into the ‘skull house’ which is built specifically for the occasion and the family pray for the bones.
Jefri explains: ‘This is a ritual that is very rare. The removal of the bones from the old graves is done to honour ancestors with an act of love.
‘The bones are removed from graves that have been there a long time and moved to a new, better cemetery. This is a way to raise the status of the ancestors.’
Wow. More photographs here!
(via jangojips)
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DOT building to be transformed into Museum of Natural History
by Augusto Villalon, Philippine Daily Inquirer
1/21/13
DIGITAL rendering of the stylized helix representing Filipino DNA and heritage
At long last the Philippines will have a Museum of Natural History.
The Department of Tourism building will soon be retrofitted to house the third museum in what shall become Manila’s Museum Precinct.
Anchoring the precinct is the newly completed National Gallery of Art, formerly the Senate Building on Burgos Drive, where the country’s definitive collection of paintings is on display.
Across the street is the Museum of the Filipino People that once was the Department of Finance Building, whose curved façade frames Agrifina Circle.
Across the Circle is its twin structure, the DOT building, originally the Department of Agriculture building.
The three heritage buildings, all in Neoclassical style, dating from pre-World War II American colonial era, form an elegant architectural cluster on the eastern end of Rizal Park along Taft Avenue.
This urban ensemble, once completed, will undoubtedly evolve into one of the most remarkable open-air spaces, a landmark in congested Manila.
(Source: vinciboy)
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Tribal sounds of the Philippines • IFUGAO
a film by Vincent Moon
part of a 4 film series exploring tribal culture in the Philippines through the means of experimental ethnography
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Ancient Calif. rock carvings recovered after theft
A series of rock carvings that date back more than 3,500 years that were sheared off and taken from a sacred American Indian site in California’s Sierra Nevada have been recovered three months after the theft was discovered.
Authorities said no one has been arrested and they wouldn’t provide details about the discovery Thursday, saying only that it was made this month after they received an anonymous tip in a letter. The tipster will be eligible for a $9,000 reward if the information leads to the arrest and conviction of the culprits.
Native Americans carved pictures of hunters, deer and other animals, along with geometric and other designs on hundreds of lava boulders that make up a half-mile-long volcanic escarpment.
It’s unclear what will happen to the carvings but federal authorities will be speaking to Paiute-Shoshone tribal leaders to accommodate their wishes. Read more.
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Edgar Matasanvul (“Many Eyes”) is from Vanuatu’s Penticost Island. He is a master sand drawing artist. His people have been sand drawing for generations. Sand drawings aren’t just art. They’re a method of passing cultural values of love, respect and honor to children.
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Some ancestry
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"Professional” wrestler (former) Ric Savage now has a television show on Spike TV called “American Diggers.” They’re Americans and they dig. Anyone with a garden shovel can make this claim. The problem is, they fancy themselves as “diggers” of artifacts and relics. And this is a problem because they really don’t know what they’re doing."



